WBTRK

Granular instruments are less resource hungry.

Two new engines, automation, a real sampler, and control from a keyboard or a game controller. NEW SOUND ROUND — a resonator with its own exciter: modal bars, sympathetic strings, plucked strings, an FM voice, string chords, a string in a hall WOVEN — a macro-oscillator with 24 models, from analog and FM to chords, speech and drums, under three controls FOGGY — a granular texture effect: clouds, stretch, loop delay, spectral smear, with freeze and feedback AUT — automation. Put it on a row and the instrument and the effect morph to the next ones across the rows between, on six curves. A held note or a drone morphs without being struck again CUT — a hard stop beside KILL: stops an instrument outright, release and all THE SAMPLER Time stretch keeps the pitch while the tempo follows; vinyl mode spins it like a record Fine tune, gap-chop, round-robin and random slices, loops inside a slice, save with markers, resample a track, and audio in from other apps by paste or drop Four hits on one row play together at full level — a chopped break is a drum kit Every edge, loop and cut is faded: no clicks CONTROL A keyboard edits everything on iPad and Mac: arrows, digits, ENTER, ⇧+arrows to nudge, ⌘C ⌘V, Tab for pages. The grids scroll with the cursor Any Bluetooth game controller — PlayStation, Xbox, Switch Pro, MFi — drives the tracker, with every button mappable under OPTIONS TIMING A 192 PPQN tick clock with a groove editor per instrument; tables and note delays count in ticks; dotted tempo-sync values; auto bpm reads a sample's tempo PLUG-INS A hosted AUv3 instrument passes through its channel's insert, and the FX column's audio effects and PAN apply to it The first note of a phrase no longer vanishes on a hosted plug-in ALSO SCALE lock with a strict mode, a two-tier velocity wheel, a new demo song, and a long audit of the engine: MIDI clock, tempo clock, the last row of every song, and dozens of smaller fixes

WBTRK 3.0 is the biggest update yet: • LIVE MODE: place phrases on six scenes and launch them from pads. Quantize picks the landing spot in the bar (1/4, 2/4, 3/4, BAR, END), a master scene sets the grid, and every scene has its own MUTE, SOLO and STOP. Punch delays and filters straight into the mix and latch them. • Japanese, everywhere: the whole UI is localized, and the SPEECH engine now takes lyrics in kana or romaji with phones added for Japanese. Lyrics grow to 56 words. • Channels doubled from 6 to 12, with a new 12-channel mixer • WAV export in 16-bit and 24-bit, plus stem export and MIDI export • Big AUv3 fixes: hosted instruments are now included in WAV renders and stems, channel faders and mute apply to them, and the plug-in window goes full screen • Recording lands in the note column under the cursor (N1-N4) • PANIC lives in the top bar, always within reach • Demo songs now ship as files — find them right in "load song" • New app icon, and a large stability pass

- Minor bug fixes

- several bug fixes, including the AUv3 loading race issue - new and more adapted layout for iPad